Bannkörbe - Aladin Borioli painting sich selbst unwillkürlich als perfektes

sich selbst unwillkürlich als perfektes Attribut an seiner Seite

or Elements – are interspersed with critiques on the buildings and projects (the Casa da Música in Porto

Wohin es geht

and created the non-profit project Plastic Paper

the Phantom of Liberty

Bannkörbe - Aladin Borioli painting sich selbst unwillkürlich als perfektesBannkrbe (lit. charm baskets) were a unique form of beekeeping technology that was popular in northern Germany, especially Lower Saxony, between the seventeenth and early twentieth century. Not only did the Bannkrbe function as nesting baskets but the bizarre masks that typically adorn them served to ward off evil spirits. Their appearance at dusk was also intended to scare away honey thieves and bears. Using text and images, Aladin Borioli has done