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Alison Saar
her pain at being misunderstood and finally rejected
Social Housing Polje
The Swiss design studio compiled a selection of their favorite typefaces
Dracaena trees and Schefflerae populate offices and hallways in order to bring a little life between the stacks of files and the computer screens
Rehearsing Hospitalities interior design Alison SaarUpon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, moreand if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the
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