Lysistrata Slavery with the students assuming the

with the students assuming the role of director

but there is one new feature: the group performance may use a published playtext as its stimulus

All students will understand how one of the key skills could be used to communicate with an audience

Allowing other performance skills to be used in presentations

Tadeusz Kantor

Lysistrata Slavery with the students assuming theThis is less a scheme of work, more a programme of study specifically focused on preparing students for Sections A and B of Edexcel Unit 4 Theatre Text in Context, where the chosen set text is Aristophanes Lysistrata. The scheme has four distinct phases which lead the students on the directors journey from first reading of the text through to performance, enabling them know the play inside out, to understand its original performance context, to