a strange scene vanitas where a conch and tulips are taken back to their natural habitat underwater rosae each work is issued for

each work is issued for the first time as an archival pigment print

transforming the familiar language of memento mori into a study of transience

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and disappearance

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a strange scene vanitas where a conch and tulips are taken back to their natural habitat underwater rosae each work is issued forThe Vanitas series revisits the still life tradition through an underwater photographic process, extending a lineage that emerged most prominently in seventeenth century Dutch painting. Working entirely in water, these compositions draw on historical motifs associated with mortality, transience, and the passage of time. Floral specimens, organic matter, and carefully selected objects are staged within a submerged environment where light, reflection,