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with the street lights twisting and turning as the girl walked past them
and one H/c printer’s proof
is an apocalyptic vision of the destruction that human society could bring upon itself through its consumerist focus
The Storm In Heaven album was arguably their truest representation
where a wig was attached
Freaky Dancin' Mark Hollis with the street lights twistingThis awesome silkscreen print revisits the artwork commissioned by Factory Records for Freaky Dancin (Fac 142). This was Happy Mondays' second single on Factory Records, released in 1986. In their artwork for the sleeve, Central Station Art were challenging viewers interpretation of colour and shape. These were the primary stages in the evolution of a new visual language created by Central Station and would set the tone for a new design aesthetic at
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