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Political Art Now, Schirn Kunsthalle Franfurt, Frankfurt, Germany (Link) Nothing Stable under Heaven, San Francisco Museum of Modern Art, San Francisco, CA (Link) "Welcome?!," Manetti Shrem Museum, University of California, Davis, CA (Link) "Manifesto: A Moderate Proposal," curated by Ciara Ennis and Jennifer Vanderpool, Pitzer College Art Galleries, Claremont, CA (Link) 2017 Really? curated by Beth Rudin DeWoody,Wilding Cran Gallery, Los Angeles, CA "An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 - 2017," Whitney Museum of American Art, New York, NY (Link) Sonic Rebellion: Music as Resistance, Museum of Contemporary Art Detroit, Detroit, MI "Marching to the Beat," Jessica Silverman Gallery, San Francisco, CA Women to the Front: Works from the Miller Meigs Collection, Lumber Room, Portland, OR I Plan to Stay a Believer, Andrew Kreps Gallery, New York, NY documenta 14, Fridericianum, Kassel, Germany Graphic Witness, The Drawing Room, London, UK Resistance Training, curated by Glen Helfand, Mills College, Oakland, CA Occupancy, Boston University art Galleries, Boston, MA The Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum, New York, NY The Intersectional Self, The 8th Floor, The Shelley & Donald Rubin Foundation, New York, NY LA TERRA INQUIETA, curated by Massimiliano Gioni, Triennale di Milano, Milan, Italy Unfinished Conversations, The Museum of Modern Art, New York, NY 2016 Displacement: Symbols and Journeys, Cornell Fine Arts Museum, Rollins College, Winter Park, FL "The Revolution Will Not Be Gray, Aspen Art Museum, Aspen, CO Take Me (Im Yours), Jewish Museum, New York, NY The Gildless Age, curated by Denise Johnson, Torrance Art Museum, Torrence, CA "Let There Be Light, curated by Jens Hoffman, Jessica Silverman Gallery, San Francisco, CA Frozen World of the Familiar Stranger, KADIST, San Francisco, CA The Gildless Age, Torrance Art Museum, Torrance, CA 2015 "Drawing Now," Albertina, Vienna, Austria "Unpacking Our Library," Capitain Petzel, Berlin, Germany "When Artists Speak Truth..." The 8th Floor, New York, NY "The Bottom Line," S.M.A.K., Gent, Belgium "Citizen," Tate Modern, London, UK Agitprop! Brooklyn Museum, Brooklyn, NY "A Voice Remains," Pippy Houldsworth Gallery, London, UK "Words, Words, Words," Elizabeth Leach Gallery, Portland, OR 2014 "Grip friheten

The waste appalled him, but he would learn that it was economically efficient for the canneries to buy extra salmon to ensure they would not run out of fish and idle hundreds of workers