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allusively recalling the silhouette of Fuji itself and creating a subtle play of formal references within the composition
Perfect impression printed on 210-gram acid-free Smooth Art paper
which severely limited the construction of bridges and other infrastructure to facilitate internal traffic
32 of the series Fifty-three Stations of the Vertical Tōkaidō (Gojūsan-tsugi meisho zue)
sono segni che non hanno un significato univoco e codificato: erano codici fluidi
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 28, 1834 vasi allusively recalling the silhouette ofA splendid print with good contrasts, attributable to the Eirakuya Tshir edition (mid 19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Selected Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York:
