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he directed the Galleria Tempo in Bologna before dedicating himself entirely to painting
Plate out of text for Joan Miró Lithographe I
Perfect impression printed by the artist on washi paper (handmade mulberry paper) from Japanese lime matrices in a total of 30 copies
Off-text table from XXème Siècle of 1972
Conservazione perfetta
LICHTENSTEIN ROY, Spray, 1989 sculture he directed the Galleria TempoPerfect impression printed by the Achenbach Art Edition of Dsseldorf for the Ludwig Museum of Cologne. Perfect conservation and uncut editorial margins.
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