MATISSE HENRI, Femmes et singes, 1952 sculture Perfect impression taken from a

Perfect impression taken from a drawing by Picasso

depicted in a range of cobalt tones

ma anche quelle vicine che non vediamo e restano invisibili ai nostri occhi

from gouache-cut paper

che ribadiscono l’importanza dell’umiltà e dell’amore

MATISSE HENRI, Femmes et singes, 1952 sculture Perfect impression taken from aColor lithograph, from gouache cut paper. Bibliography: Claude Duthuit, Catalogue raisonn of illustrated works no. 139. (mm. 356528). Perfect impression, plate out of text for Dernires uvres de Matisse for Verve 35 36, printed by Fernand Mourlot for the publisher Emmanuel Triade in 1958. Perfect condition with editorial fold and untrimmed margins.