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after the death of master Hiroshige I in 1858
” The refined tones of turquoise and intense pink in the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai
On the umbrella to the right appears the inscription “san ben”
a multifaceted figure of the Parisian avant-gardes
The Art of Kokeshi (こけし)
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 64, 1836-1847 sculture after the death of masterStunning proof with good contrasts, referable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Reasoned Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York:
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