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Rythmes et couleurs
” The refined tones of turquoise and intense pink in the woodblock prints of the collection indeed enchant with their immediate freshness and demonstrate how Hokusai
his mother: “This child is destined to cause the falling and rising of many in Israel
Parisian life – which have spread his work to a wider audience
It is the first (no
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 48, 1835 vasi Rythmes et couleursBeautiful proof with good contrasts, referable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Reasoned Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York:
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