HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 57, 1835 sculture His precision is almost that

His precision is almost that of a miniaturist: every leaf

A characteristic procession of humanity makes its way along the ground

Ninomiya Beach (春ノ月二宮海岸) along with the month and year of the first edition: made in March of the seventh year of the Showa era (1932) (昭和七年三月作)

In the gray distance

Una scena di vita quotidiana dal tono intimo e familiare: un taglialegna avanza portando con sé i ramoscelli destinati al fuoco e il neonato

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 57, 1835 sculture His precision is almost thatBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New